He's not really about interviews and stuff. I was like, "He looks important," but I didn't really know. He started following me, and I didn't even know who was 40 back then. I had this beat tape and I didn't do anything with it, but then one day 40 just DMed me on Twitter. And I made a mixtape, Ninety Two, where it's beats that are inspired by that. Nothing Was the Same was one of my favorite albums ever. On my side, I was getting really into Drake's music. I know they kept going back and forth with Will, but not really. So then Will passes your stuff along to 40-Īctually, not even! 40 hit me up out of the blue.
But it was just crazy going from nothing to that, within a couple of weeks or months. I really enjoyed it, and I still enjoy it. It was weird, man! I never really thought about DJing or anything like that. I was somewhere in the Netherlands, and I played this big festival with Major Lazer and HudMo. So, in 2013, you found yourself opening for Hudson Mohawke. And then he found my stuff, and he was like, "Oh, this kind of makes sense," and he sent it back to Oliver.
He sent them some stuff from Kaytranada, but that wasn't really what they were looking for. He was already in contact with the OVO people, like Oliver , and they were looking for some stuff back in the day for Nothing Was the Same. One of his roommates sent him the first EP that I made, called Beyond.
#RENLY DRAKE WESTON ROAD FLOWS HOW TO#
So I had to learn how to DJ on the road, too. I kept on producing stuff on SoundCloud, and at the same time I would travel and play DJ sets. Right after that, we started booking some shows. He told me to come there so I met Kay and him. He was coming for Kay's show like three years ago at this festival in France.
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